Watch “Richard III” Trailer, Schaubühne Berlin. Januar 2021 ist die Kasse unbesetzt und auch telefonisch nicht erreichbar. ‎A podcast about modern Shakespeare productions of stage and screen. Genieten bij Richard III Zoals Richard III al tijdens de maaltijd, geserveerd op het podium, zegt: we moeten genieten van dit legendarische stuk. The Schaubühne actor reflects on the relevance of Shakespeare’s infamous self-made king. Ein Krüppel, der auf den Schlachtfeldern der Rosenkriege seiner Familie gute Dienste geleistet hat. Vorverkaufsbeginn ist jeweils am 1. eines Monats für den Folgemonat zu den regulären Kassenzeiten. Ist ein Versand nicht möglich, werden Ihre Karten bis zum Vorstellungsbeginn an der Theaterkasse zur Abholung bereitgelegt. Does the serial killer become an anti-hero? The company in residence at the Schaubühne theatre in Berlin bring to Hong Kong an alternative take on Shakespeare's classic Richard III. Découvrez les dates de représentation de Thomas Ostermeier. »For me, this is a basic question of Shakespeare’s writing: »who’s there?» in the sense of »who are we? Not unless Richard himself had risen from his car park and had tormented him in his sleep. wir Ihnen als E-Ticket zusenden, dieses können Sie direkt in die Wallet auf Ihrem iOS/Android Smartphone speichern oder auch als PDF zu Hause ausdrucken, Samstag und an Sonn- und Feiertagen geschlossen, Aufgrund der Verordnung des Berliner Senats zur Eindämmung der Corona-Pandemie. Bis heute hat die Titelfigur nichts von ihrer Faszination eingebüßt. One pitfall is the possibility that a reduced text will yield a Punch and Judy show, as Shaw put it: a simple series of murders on stage, a play discounted as the puerile fancy, of violence and villainy, of a very young Shakespeare. Expect to be in the se I try to find out while rehearsing what might be most convincing. A Reply to Distancing, with »Michael Kohlhaas«, Rockers, Balzac, and Neoliberalism: »Vernon Subutex 1« at the Schaubühne, The Missing Link in Marius von Mayenburg’s »The Apes«, Playing with Change Lars Eidinger and John Bock’s Collaborative Peer Gynt, A Playground of Ambiguity Anne-Cécile Vandalem’s »Die Anderen«, »Youth without God«. Venue: Her Majesty’s Theatre (Adelaide SA), Mar 3 – 9, 2017 Playwright: William Shakespeare (adaptation in German, by Marius von Mayenburg) Director: Thomas Ostermeier Cast: Thomas Bading, Robert Beyer, Lars Eidinger, Christoph Gawenda, Moritz Gottwald, Jenny König, Laurenz Laufenberg, Eva Meckbach, … Show Map. Richard ist hässlich. 5. You cannot boil Richard III down to some issue play«. pin. Photograph: Arno Declair Schaubühne production of Richard III by William Shakespeare, directed by Thomas Ostermeier The world’s coolest theatre is streaming plays for free . Hide Map. Who identifies with a fascist? So we go for the content and not for the poetic power of the language«. BE FIRST JOIN . Vorverkaufsbeginn ist jeweils am 1. eines Monats für den Folgemonat zu den regulären Kassenzeiten. I try to find out while rehearsing what might be most convincing. But then I envy you for having the beauty of the language in English«. There’s no contemporary context on the political level. Aber das Ende des Krieges bringt Richard keinen Frieden, zu tief sitzt sein Hass auf den Rest der Welt. Opinion . Stream Richard III Intro von Nils Ostendorf by Schaubühne Berlin from desktop or your mobile device Meet fellow BAM members over a glass of wine. You know, I am feeling very proud of this theatre. I am only interested in a character so elegant that he seduces me to be happy in his evil doing. Februar 2020 eine Servicegebühr von 2 Euro pro Auftrag. Although Richard III preceded the related tetralogy of Henry VI plays, and stands very much on its own, it still assumes a visceral knowledge of the War of the Roses between the Houses of York and Lancaster. Richard III (Engelse titel: The Tragedy of Richard the Third) is een omstreeks 1595, mogelijk reeds in 1592 geschreven historiestuk van William Shakespeare over de corrupte, sadistische Richard III van Engeland die na de troonsbestijging van zijn oudere broer Eduard alles in het werk stelt om de koningskroon voor zichzelf op te eisen. We also have a drive to humanism, for instance to sharing. »Richard has very evil aims, to become the King«, says Thomas, »But he has to put on the role of somebody who is only interested in God, and in the wellbeing of the King, of the Kingdom, of England. Find out more about Thomas Ostermeier's Berlin Schaubühne Theatre production, which runs from 24 - 28 August 2016 at The Lyceum A Conversation with Thomas Ostermeier by Joseph Pearson. Haufe gaat als Richard III van charmant en bestudeerd bescheiden naar berekenend en vilein tot doorgedraaid. Aufgrund der Verordnung des Berliner Senats zur Eindämmung der Corona-Pandemie und weil wir Sie und unser Personal bestmöglich schützen und vor Ansteckung wahren wollen, ist unsere Theaterkasse vorerst für den Publikumsverkehr geschlossen. Richard III. Richard the III, Trump, and the uncanny foresight of the Bard. A Conversation with Thomas Ostermeier, A Glittering Abyss. BE FIRST JOIN . by David Nice Friday, 17 February 2017. This is completely different from my production of Ibsen’s Ein Volksfeind (Enemy of the People). One can easily think of Richard as a nihilistic figure, a rebel without a cause perhaps, in a constant state of discontentment. Thomas Ostermeier tells me, »I usually try to answer questions I have about a play in the rehearsal room. There is a political and religious context to how this question plays out in Shakespeare’s work. By Henrik Ibsen, version by Florian Borchmeyer Direction by Thomas Ostermeier. Confinée, la Schaubühne de Berlin se met en scène sur les réseaux sociaux. 2015 : Richard III de William Shakespeare, Festival d'Avignon (Opéra Grand Avignon) 2015 : Bella Figura de Yasmina Reza, Berlin Schaubühne; 2016 : La Mouette d'Anton Tchekhov, Théâtre Vidy-Lausanne; 2017 : Retour à Reims, d'après l'essai éponyme de Didier Eribon paru en 2009, Berlin Schaubühne The photos in this section may be used free of charge only in advanced press coverage and news coverage of our productions and/or our theatre, provided the respective photographer is credited. August 11, 2016. Member Mingle. Es besteht die Möglichkeit, Ihren Wunschplatz im Saalplan selbst auszuwählen. Because Shakespeare is more intelligent than I am, and I trust he will provide me with the answers through three-dimensional thinking – which is theatre«. Novinky, lístky, nejnovější info, stejně jako program a vstupenky na nejlepší akce najdete na GoOut. Opinion . He looks up brightly and replies, »No, good rehearsal. We know that we cannot kill, that we cannot rape, that we cannot take what belongs to others. But I think what makes us suffer in this civilized world is that, to survive as a society, we have to ignore some of these forces which are inside us. Saved by Edinburgh International Festival. Richard III, Schaubühne Berlin, Barbican More or less a one-man show, but the denouement justifies everything. Share. Thomas Ostermeier tells me, »I usually try to answer questions I have about a play in the rehearsal room. Fällt der Erste des Monats auf einen Sonn- oder Feiertag, beginnt der Vorverkauf am Folgetag. Support independent journalism. 2 Tage (Freunde) vorher erwerben.Zum Login für Freundeskreismitglieder. »I like that every audience member can feel that he can stretch his arm and touch the actors«, he says. Richard III. clock. Ostermeier says that there will be texts and video at the beginning of the play explaining the War of the Roses. Thomas Ostermeier has been director of Schaubühne Berlin since 1999, keenly mixing Sarah Kane with older classics. Bitte schauen Sie ab und zu hier rein, ggf. Indeed, the play spoken in German is freed once more from the holiness of the original script. Après des études de mise en scène à Berlin dans les années 1980, Thomas Ostermeier se fait connaître en devenant le directeur artistique de la Baracke, scène associée au Deutsches Theater entre 1996 et 1999. Shakespeare Explains the 2016 Election. Für das Ausdrucken und Bereitstellen von im Webshop gekauften Karten zur Abholung an der Kasse erheben wir ab dem 1. He has created an explosive Richard III.In German – … »Why prose?« I ask, and Thomas replies, »Because English has fewer syllables for a word than German. Of course this is very demanding. Schaubühne Berlin’s production of Richard III, Oct 11––14 “Lars Eidinger stars as a mesmerising, rapping, swearing Richard; an outsider who seizes centre stage with relish, caressing his microphone like a rock star gone to seed.” –The Guardian Bloomberg Philanthropies is the Season Sponsor Richard III … I now have too many questions, and am too impatient to wait for the Richard III premiere. Wir bitten Sie deshalb, Kartenrückgaben ausschließlich per Mail, per Telefon oder schriftlich vorzunehmen. Will he be stabbed in the back as he flails looking for a horse, and thus be humanized? Log in to continue reading. The audience is brought close not only to watch but also to judge – not just the characters, but themselves, and how far they might allow themselves to be seduced. But what more does a well acted Richard achieve other than »proving to be a villain«? The character of Richard III, like Shakespeare, uses careful rhetoric as a strategy for advancement and then survival. Richard III is the first in a line of Shakespearean villains known for his moral autonomy and virtuoso art of manipulation. Aber das Ende des Krieges bringt Richard keinen Frieden, zu tief sitzt sein Hass auf den Rest der Welt. Thomas Ostermeier’s Schaubühne production of Richard III is at the Lyceum, Edinburgh, 24-28 August, as part of the Edinburgh international festival; Topics. Hong Kong Cultural Centre Grand Theatre. Thomas tells me he chose this play because while »I could willingly and joyfully direct five or six other Shakespeare plays at the moment, I had no Lear in the company, and no Antonio, no Shylock«. More contemporary examples include Kevin Spacey, who played Richard in 2012 (directed by Sam Mendes) shortly before appearing in House of Cards, a series modeled closely on the play’s single-minded pursuit of power, complete with long soliloquies and asides to the camera. And Shakespeare was writing for this kind of theatre«. Bitte haben Sie Verständnis, dass hier ausschließlich Karten für die jeweiligen Abendvorstellungen zu kaufen und abzuholen sind.Aufgrund der Pandemie können aktuell keine Wartenummern ausgegeben werden. Read More. I don’t know what my Richard should be like before entering. by William Shakespeare, Direction: Thomas Ostermeier. Read More. In de jaren '30 komt door de dood van de koning van Engeland een einde aan een bloedige burgeroorlog. Sympathy is a compelling hook for the study of a man who becomes a serial killer, eliminating every obstacle in his path, to reach his royal objective. Ostermeier shows me a picture of his plans for Lars Eidinger, and he looks ugly enough to have been recently unearthed. Firstly, the play is simply too long. 2020. SHAKESPEARE, W.: Richard III (narrated in German) (Schaubühne Berlin, 2015) (NTSC) by William Shakespeare. But he did have a Richard. There is a limit, of course, to such spontaneity. Die Website informiert über den Spielplan, Schauspieler, Regisseure, Gastspiele, Aktuelles. In this episode, we discuss the Schaubühne Berlin's recorded productions of Hamlet and Richard III, both directed by Thomas Ostermeier and starring Lars … When I meet Ostermeier, in his office, the Artistic Director of the Schaubühne is holding his head in his hands and has closed his eyes. Might this also explain the presence of so many citrus-selling prostitutes lurking among the groundlings of the Globe Theatre in Shakespeare’s time during a five-hour production? Richard III. This might be a risk in the hands of a lesser director, but in those of someone sensitive the tradition of cutting might present a compelling challenge. Ostermeier tells me, »A lot of British directors who are friends of mine envy us for the necessity of having to translate Shakespeare because then you can create a new world. This article is available to Limelight subscribers. »This solution is too easy«, says Thomas, ‹Then you can point to it. One of the most spectacular aspects of the production is the building of a new theatre within the Schaubühne: a new Globe Theatre, modeled on Shakespeare’s stage in London. The problem of cutting material then becomes one of dramaturgy: how to make a play with so many holes remain dramatically intelligible?