Title: He's smitten by Marie-Louise, a single mother who's his landlady's daughter. Get a sneak peek of the new version of this page. Rainer Werner Fassbinder's 'The Bitter Tears of Petra von Kant' is a strange movie. Fassbinder. Divorced, he hires a woman with a young granddaughter as his housekeeper and devotes himself to his new job. Unaware of her night job or that Schuckert is her daughter's father, von Bohm proposes to her, but she warns him off. Lola (1981) maintains Fassbinder's tendency to play with our notions of genre, but this time the director underscores his work with a platform provided by the 1950s melodrama. 6 of 10 people found this review helpful. In the 1970s Rainer Werner Fassbinder was a familiar presence at film festivals, invariably clad in black leather, a cigarette always in his hand, a scraggly mustache drooping over lips that seemed curled in constant ironic amusement. This cosy arrangement is threatened by the arrival of the high-minded and cultured von Bohm, a refugee from East Prussia, as the new building commissioner. Other notable films include The Bitter Tears of Petra von Kant (1972), Fox and His Friends (1975), Satan's Brew (1976), In a Year with 13 Moons (1978), and Querelle (1982), all of which focused on gay and lesbian themes. Want to share IMDb's rating on your own site? Her song "Lili Marleen" becomes a hit with soldiers and the Nazi top. Now streaming on: Powered by JustWatch. Was this review helpful to you? Ten years after the war, West Germany's market economy is booming. By coincidence, Von Bohm meets and falls in love with Lola, unaware that she is a prostitute. Berlins Bürgermeister, Richad von 1981-1984. When he finds out, he is devastated, but finally, by way of pragmatism, a moral compromise is reached – boy, are they compromised - and the film comes to rest on a somewhat absurd moral sandbank.None of the characters are likable – they are all seedy local politicians, after all, but they slowly grow on us. Lola is a 1981 West German film directed by Rainer Werner Fassbinder, the third in his BRD Trilogy, after The Marriage of Maria Braun and Veronika Voss. The daughter arrives and initiates a guessing game of "Chinese roulette". When he is finally taken to the brothel, he discovers the truth about her. Pitting a corrupt building… ‎Lola (1981) directed by Rainer Werner Fassbinder • Reviews, film + cast • Letterboxd Lola LOLA [1981 / 2017] [Vintage World Cinema] [Blu-ray] A Film by “Enfant Terrible” Rainer Werner Fassbinder! One day, while he is out at work, his housekeeper shows her daughter his house. Set in a small West German town in 1957, a booming economy is generating a new sense of optimism. In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house, that she believes has a ghost, in a small isolated Baltic town.... See full summary », Ten years after the war, West Germany's market economy is booming. Fassbinder died on 10 June 1982, … Lili Marleen is a film directed by Rainer Werner Fassbinder with Hanna Schygulla, Giancarlo Giannini, Mel Ferrer, Karl Heinz von Hassel, Erik Schumann .... Year: 1981. Into an unnamed city that's rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. Veronika Voss. It’s not that the pickings are slim – on the contrary. In 1938, a German singer falls in love with a Jewish composer in Zurich, who helps Jews flee Nazi Germany. Explore more than 1,500 films on the Criterion Channel, with filters for genre, decade, country, and director. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism. When honest new officer Herr von Bohm is appointed, he attempts to get to grips with Schuckert, and dares to enter the Villa Fink brothel—the true hub of the town’s economy. I agree with those critics who think that this film is not as good as Fassbinder’s BRD Trilogy: The Marriage of Maria Braun (1979); Lola (1981); and Veronica Voss (1982). Vorname von Sadat (gestorben 1981) Film von Rainer Werner Fassbinder. This FAQ is empty. Part of his loose BRD (Bundesrepublik Deutschland) Trilogy - portraits of women in German society after the war - this late Fassbinder is based on the same story behind Sternberg's Blue Angel. Unable to change the system, and still in love with Lola, he marries her with Schuckert's blessing. Autor von Das Glück der Erde, Edwin 1898-1981. Peter Lenz, a mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing ... See full summary ». Fassbinder's exaggeration Sirkian colour schemes borders on the grotesque, creating another image of over-perfection that paradoxically induces nothing but disgust from the viewer. It's worth watching if only for it's striking visual design. Peter Marthesheimer, Pea Frohlich, and Rainer Werner Fassbinder (screenplay), Rainer Werner Fassbinder (director) Lola / 1981 Although nearly all of Rainer Werner Fassbinder’s films are filled with comic moments and even comical subplots, one might suggest that one of his last masterworks, Lola , is the closest to being a true comedy. With plenty of building going on in Germany during the 50s, Von Bohm is an important official whom the mayor must somehow get around in order to continue bending the rules on lucrative construction deals. Roger Ebert January 01, 1981. A suggestible working-class innocent wins the lottery but lets himself be taken advantage of by his bourgeois new boyfriend and his circle of materialistic friends. Lola is a 1981 West German film directed by Rainer Werner Fassbinder, the third in his BRD Trilogy, after The Marriage of Maria Braun and Veronika Voss. When von Bohm discovers Marie-Louise's real vocation and looks closely at Schuckert's work, will this social satire play out as a remake of "Blue Angel," a visit of Chekhov to West Germany, or an update of Jean Renoir's "Rules of the Game"? The cruel and torturous nature of their relationship leads Martha to believe Helmut might be trying to kill her. A transgender woman tries to salvage something from the wreckage love has made of her life by confronting her anguished past, hoping to find ultimate acceptance among quondam acquaintances and herself. In the meantime von Bohm has been collecting evidence of Coburg's widespread corruption, including building permits masterminded by Schuckert, and decides to put a stop to it, but nobody is interested. There's very little reliable sociology going on here. After the death of her abusive father, the lonely librarian Martha marries an equally vile businessman - Helmut. Fassbinder takes delight in showing us that everyone is corrupt – even apparently incorruptible people. A seductive cabaret singer-prostitute pits a corrupt building contractor against the new straight-arrow building commissioner, launching an outrageous plan to elevate herself in a world where everything-and everyone-is for sale. It is sometimes intrusive, but mainly effective and attractive.Fassbinder has extracted one aspect of social behaviour and amplified it to absurdity here. Alone, Maria puts to use her beauty and ambition in order to find prosperity during Germany's "economic miracle" of the 1950s. She wants to help but is forced back to Germany. Both money and desire corrupts and debases – it's inevitable - you might as well be practical about it, take pity on yourself and embrace it. 09.05.2017 - Erkunde riikis Pinnwand „Film - R W Fassbinder“ auf Pinterest. Written by He did, however, continue to work with a stock company of actors throughout the rest of his career. Film von Fassbinder (1981) 4: lola: Auf dieser Seite findest Du alle Kreuzworträtsel-Lösungen für. His morality is tested when he unknowingly falls in love with a brothel worker, Lola, the paid mistress of a corrupt property developer. Partially based on the life of Sybille Schmitz, who found fame under the Nazi regime, but whose career was destroyed afterward. Everyone has a weakness, which is their price. 1h 44min. Use the HTML below. A wonderfully upfront narrative rendered in garish primary colours, this discursive update of The Blue Angel poses Lola (Sukowa) and the blue-eyed trembling-pil The Marriage of Maria Braun (German: Die Ehe der Maria Braun) is a 1978 West German film directed by Rainer Werner Fassbinder.The film stars Hanna Schygulla as Maria, whose marriage to the soldier Hermann remains unfulfilled due to World War II and his post-war imprisonment. In the town brothel, “Villa Fink,” Lola [Barbara Sukowa], a young high-class prostitute with a zest for life, is the star of the show. From the stars of "The Good Place" to a pair of "Pretty Little Liars," check out our gallery of celebrity besties. The late Rainer Werner Fassbinder was not the kind of young European director who scorned the glitter of Hollywood. Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Lola_(1981_film)&oldid=981375275, Films directed by Rainer Werner Fassbinder, Articles needing additional references from June 2019, All articles needing additional references, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 October 2020, at 22:51. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohm's projects. View credits, reviews, tracks and shop for the 1981 Vinyl release of Lili Marleen - Die Musik Zum Film Von Rainer Werner Fassbinder on Discogs. As a wedding gift, Schuckert gives the pair the deed to the brothel and, while von Bohm is taking a walk after the church ceremony, takes the bride to bed. After an unsatisfactory film adaptation of Marieluise Fleisser's play Pioneers in Ingolstadt (1971), the original Anti-Theater troupe dissolved due to tensions satirically chronicled by Fassbinder in his reflexive film Beware of a Holy Whore (1971). His favourite employee is its singer, Lola. Tweet. There are some genuinely pensive and romantic moments as well as some fairly gently humour - Von Bohm's neurotic secretary is quite funny. ... His 1981 lists of what he considered to be the best German films (a … T he task of selecting 10 great films by the late, extremely great German director Rainer Werner Fassbinder is not an easy one. Women are viewed as chattels and Lola herself is not really given an adequate personality – nor was Barbara Sukowa noteworthy in the part. Fassbinder decided to shoot the film in late 1981, as he was preparing Kokain, a vastly more complex undertaking. Directed by Rainer Werner Fassbinder. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohm's projects. Schukert, in particular takes some getting used to. Perhaps these colours spread outwardly from the nightclub's red light, diffracting through the ordinary world into rainbow hues. Very little is convincing though - particularly the Von Bohm's infatuation (he seems a little too old, and a little too naive) – and the outcome is even less so. THE LIST CONTINUES WITH THE TOP 10 FASSBINDER FILMS ON PAGE 2. (1981). 1982. Germany in the autumn of 1957: Lola (Barbara Sukowa), a seductive cabaret singer–prostitute, exults in her power as a tempter of men, but she wants more—money, property, and love. Subtitled clip from Rainer Werner Fassbinder's Lili Marleen (1981): Willie (Hanna Schygulla) performs her explosive hit song. Keep track of everything you watch; tell your friends. Une histoire d’amour et de désir – Leyla Bouzid, #Tbt: Billy Porter Works on a 'More Masculine' Lola On Turning The Tables, Nickelodeon Greenlights Season 2 Of ‘Blue’s Clues & You’, Obscure stuff (or films that are not as well known), Favorite Character from a Single Female Name Titled Film, Greatest Foreign Language Film Trilogies of All Time, Großes Herz und große Klappe - Helga Feddersen. View production, box office, & company info. Original title: Lili Marleen. Lola is a nightclub singer and prostitute, personal whore of larger-than-life property developer Schukert, at a red-light establishment favoured by the mayor and his cronies. This is not the way the world is, but is perhaps the way he would like it to be: fallible and corrupt, but erotic and benign. The film"s page In post-war West Germany, the charming Von Bohm is appointed a city's new Building Commissioner. In a small town in 1957 Bavaria, Schuckert is a corrupt construction magnate. Both the parents of a young teen who walks with crutches, goes on each their secret meeting with lovers, both surprising each other at the family's county home. Veronika Voss is a once prominent UFA actress, kept by her doctor, who raises suspicion in a sports journalist. Top 150 Most Anticipated Foreign Films of 2020: #92. Into this cosy, corrupt world comes a new Building Commissioner, Von Bohm – a meticulous character that the others cannot draw into their circle. Directed by: Rainer Werner Fassbinder. Fassbinder a 70-es évek végén fontos női karaktereket filmesített meg, melyek beírták magukat a filmtörténetbe: Die Ehe der Maria Braun (Maria Braun házassága, 1978) és Lili Marleen (1980), a főszerepben Hanna Schygullával vagy Lola (1981, Barbara Sukowa). In particular, corruption is the price of having eroticism in the world – and that's something we can't do without.As the film goes along, the darkish tone gives way to levity once you realise that nobody is really going to get hurt. In 1957 in the town of Coburg, as in most of West Germany, reconstruction is the watchword, and Coburg's élite all benefit: the mayor, the police chief, the bank president, the newspaper editor and above all, Schuckert, a property developer who owns the brothel the other men frequent. The film is lit throughout in lurid primary colours – even outside in broad daylight faces are bathed in coloured light. Into an unnamed city that's rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. The Longing of Veronika Voss, as the full German title translates, went into production as an interim project, with the amazing Rosel Zech in her second Fassbinder film. Weitere Ideen zu Hanna schygulla, Filme, Angst essen seele auf. It is Lola, who decides she wants to know this interesting man and soon attracts his attention under her real name, Marie-Luise. He was a director who worked fast, and the very process of making movies was something that, by all accounts, was as natural to him as smoking a cigarette. Frau Kusters is preparing dinner late one seemingly ordinary afternoon in her seemingly ordinary kitchen in Frankfurt, Germany. CineFiles is a free online database of film documentation and ephemera A seductive cabaret singer-prostitute pits a corrupt building contractor against the new straight-arrow building commissioner, launching an outrageous plan to elevate herself in a world where everything-and everyone-is for sale. Maria marries Hermann Braun in the last days of World War II, only for him to go missing in the war. Rainer Werner Fassbinder’s controversial, fifteen-hour BERLIN ALEXANDERPLATZ, based on Alfred Döblin’s great modernist novel, was the crowning achievement of a prolific director who, at age thirty-four, had already made over thirty films. Mrs. Kusters wants to add canned sausages to the stew, her ... See full summary ». He's smitten by Marie-Louise, a single mother who's his landlady's daughter. Cast: Rosel Zech, Hilmar … Hans Epp is a self-destructive man who lives a dissatisfied life. Effi Briest (1974) Effi Briest was Fassbinder’s first film based on a period story, in this case Theodor … You must be a registered user to use the IMDb rating plugin. He tries to find meaning as a fruit vendor, but a heart attack impedes his ability to work, which turns his dissatisfaction into despair. Synopsis: Add the first question. When von Bohm discovers Marie-Louise's real vocation and looks closely at Schuckert's work, will this social satire play out as a remake of "Blue Angel," a visit of Chekhov to West Germany, or an update of Jean Renoir's "Rules of the Game"? The screenplay was produced using the autobiographical novel Der Himmel hat viele Farben (The Heavens Have Many Colors) by Lale Andersen.However, according to Andersen's last husband, Arthur Beul, the film's plot bore little relation to her real life. But he then falls in love with sex worker Lola. Lili Marleen is a 1981 West German drama film directed by Rainer Werner Fassbinder and starring Hanna Schygulla. With Barbara Sukowa, Armin Mueller-Stahl, Mario Adorf, Matthias Fuchs. A homage to Von Sternberg's 'The Blue Angel,' Fassbinder's film follows a stuffy municipal building commissioner who loses his heart to Lola, a sluttish entertainer. A successful fashion designer abandons a sado-masochistic relationship with her female assistant in favor of a love affair with a beautiful young woman. .